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If you’ve been playing piano for some time, you may come upon periods where you forget yourself and only the music remains. You might even have had a spiritual experience. A phenomenon where emotion and intellect become one and the outside world disappears.

This experience is what we all want, whether we admit it or not. This is a very important part of making music - especially new age music. We want that moment where we can stop thinking and start feeling.

Of course, there are times when we create something for a specific purpose such as dance music, rock and roll, etc. But when you are attuned to your feeling and letting the music flow from your fingers the wonder and magic of it is enough to make you want to come back again and again for more.

To get to this place does not require any special ability. It only requires that you know a little about chords and how to use them. Then, you place your fingers on a chord and off you go.

What makes this complicated for some is their indecision about which chord or notes to play. After all, there are thousands of choices. The solution for this problem is limiting your choices. In the free lessons, I give you a scale to play and a few chords from that scale to improvise with. This is enough material to get the imagination going. Some students thrive on limits while others fight them. I fought them too until I realized that my goal was to feel good about music making - not to create a masterpiece.

As soon as I thought about creating anything - I froze up. Technically, I knew a lot but it did me no good. I reexamined my reasons for making music and came to the conclusion to keep it simple. Simple, in my mind at the time meant boring. But I finally let go of the need to please others and as soon as I did, I began to experience music making as a spiritual experience.

Now, there is nothing that heals me so much as just being at the piano - letting the notes fall where the will within the limitations I set for myself. First, I allow myself to gravitate to any sound that calls me. For example, it could be a minor chord. It might be the pentatonic sound that calls to me. Then I simply stay within that sound or tonality and all is well.

Edward Weiss is a pianist/composer and webmaster of Quiescence Music’s online piano lessons. He has been helping students learn how to play piano in the New Age style for over 14 years and works with students in private, in groups, and now over the internet. Stop by now at http://www.quiescencemusic.com/piano_lessons.html for a FREE piano lesson!

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Is your heart in the music? If so, it won’t matter what you play so much as what is received through your playing. Do you still think you need to learn 43 chords to sound good or are you concerned with the joy of expressing yourself through this wonderful instrument called the piano? People who sound like they know what they are doing may indeed know what they are doing but does that mean you want to listen to the music?

Let’s look at pop music for example. Here is a music that is produced so tightly and carefully that nothing is left to chance. Not a crackle or hiss, not one static spot on the entire 3 to 4 minutes of the track. Yet after a few listens or even after a single listen, the mind may grow disinterested.

It’s like a sporting event - exciting and enthralling while you are there but once over let down and perhaps even a little depressed. Now most (but not all) pop music is like that. It gets you hooked up for a few minutes, gives you a feeling, usually of excitement, then its gone. New age music on the other hand is a more sincere and heartfelt expression, and as such, mistakes are allowed.

Id like to share something with you. When I recorded both “La Jolla Suite” and “Anza-Borrego Desert Suite” I made mistakes. “La Jolla Suite” was recorded live so I couldn’t help that, but the Desert Suite was done in one take. I wasn’t so concerned with the production value as the emotion I felt at the time I was playing. I could have gone back and redone the tracks I didn’t like so much but then I could have gotten stuck in a perfectionist’s rut.

No, I decided that a “wrong” note here and there wouldn’t kill what was heard and might even make it sound more authentic. So if you hear a mistake it may sound like I don’t know what I’m doing. Perhaps not. But that doesn’t concern me. What concerns me is one thing and one thing only - am I present at the piano. Am I there in spirit as well as body? If so, I am doing what I’m supposed to be doing.

Edward Weiss is a pianist/composer and webmaster of Quiescence Music’s online piano lessons. He has been helping students learn how to play piano in the New Age style for over 14 years and works with students in private, in groups, and now over the internet. Stop by now at http://www.quiescencemusic.com/piano_lessons.html for a FREE piano lesson!

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Let’s face it. The world will not end if there isn’t another new age music CD on the market. So why bother? Why play when most people don’t care or want to hear the kind of music you like? The answer lies in the nature of art itself, for the world really does not need art. It can survive without painting, sculpture or music. It can survive, but it would be a pretty dreary place.

But the main reason we play is not for the world but for ourselves. We must play for ourselves first and if people hear and like it fine. If not, that’ s fine too. As long as we don’t deprive ourselves of the enriching experience improvisation can bring.

When I first started playing I wanted to create something others could admire. Something that people could say, wow, listen to that. That guy is really good. But I was miserable and miles away from the true purpose of playing music. It wasn’t until a year or so later that I realized that if I don’t please myself first, no one would be pleased. Nor did it matter if others were pleased or not.

So, what is new age piano improvisation good for? Absolutely nothing - except the joy it can bring to you and to me when we enter the flow and the music pours out of us. It is so precious to be able to do this. So fleeting it may be too. A second or a minute of forgetting yourself at the piano is a sacred act. One that grows and develops. It matures of itself. Much like meditation. If one practices the art, one grows in proportion to that practice.

But this kind of growth is spiral in nature. There are times that the music seems lifeless and dull. At these times we feel the same inside. But a day or two later, we are in a new place and the music flows like water. This is a mystery, this process. One can only go with it and not fight it. You are creating art second by second when you improvise. This kind of beauty is fleeting - but is the most precious. Guard it. Cherish it. And if you feel inclined share it with the rest of the world.

Edward Weiss is a pianist/composer and webmaster of Quiescence Music’s online piano lessons. He has been helping students learn how to play piano in the New Age style for over 14 years and works with students in private, in groups, and now over the internet. Stop by now at http://www.quiescencemusic.com/piano_lessons.html for a FREE piano lesson!

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